Mittwoch, 24. Juli 2013

"Great master": record images in the current situation forces

In 1935, Lao She can not take a book of the "two boxer" material essence, the achievements of a small text "Lethal gun." "Lethal Gun" dapper, at the very start is a martial sense of loss is also the face of the current situation dictates - sand dragon darts has already changed inn. Written novels of the time, martial arts have been Revolutionary Party and educators advocate it, but on the face of ZTE, can not conceal his legend in the loss.

A year later in 1936, Gong Haneda martial arts should be notified in Foshan The Big Bang Theory Seasons 1-6 DVD retreated into the shadows. Wong Kar-wai "great master" beginning of the end of an era will be crashing. Contrast type martial arts movies violent wind, "great master" like a martial arts flourished on the image reflection stylized impressionistic style, with Xijinqianhua plain; tough martial arts world, there is a sense of loss of the buttons.
Every good times, even if only on the face scenery, there are always some people come back refers to the direction away tells the magical. The reason why there is such a turn and stare, mostly the so-called "current situation" feel, lament and even frightened. "Great master", the "current situation" consists of two specially marked by recording images, such as dating nodes, reversing the trajectory of life.
Generation of master The grandmaster (2013) Poster # 01
Although Wong Kar Wai repeatedly stressed to recover an era, but the so-called recovery is not primarily the authenticity of the image, but changes in the martial arts, the fate of the characters and their meaning. Mapped with this form, in whole impressionistic manner record spans the two images - one of the puppet Manchukuo documentary segments, one in 1950 in Hong Kong street Scenery - The record of the essence of truth. Freehand does not declare a loss of the real, and true nor impressionistic cause fragmentation. Wong Kar-wai to do is to find the true meaning changing and unchanging, but the so-called real, that is the current situation. Wong Kar-wai's emphasis on the two records images are obvious, especially compared to other times nodes subtitles way.

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